Monday, November 27, 2006

Memories...

Photograph
by Gilbert Koh

Smile, I commanded
you obeyed
and I caught forever
that moment
when something
on your face
disguised itself
so well as happiness.

Quiet fears
and other troubles
have marred this day
yet the years will pass
and in time this image
will be enough
to make us believe
that in this instant
we had been so much happier
than we really were.

How kind and skilful,
the way time deceives memory,
fills us with warm
nostalgia for things
that never really happened.

Three Seasons

"Longing is the feminine side of love, the cup that wants to be filled." It is a state of being open to possibility and to the future. It is a quest that animates us and carries us into our most strenuous endeavors. Three Seasons, written and directed by Tony Bui, is an extraordinary cross-cultural masterpiece shining with incredible images, a keen sense of place, and a reverence for the incredible yearning of ordinary people.

Hai (Don Duong) is the placid, thoughtful cyclo driver, who falls for one of his customers, the prostitute Lan (Zoe Bui). He waits outside the hotels where she plies her trade, always there to offer her a ride when she is finished for the night. The detachment necessary to maintain her peace of mind is threatened by his honest affection, which she would return if she were not a prostitute, and she tries to fend him off.

Duong's role, as the hard-working laborer who has to live on the hot streets and hustle to maintain any semblance of dignity, possesses a tender, romantic heart. You find yourself rooting for him when he starts falling in love with one of his customers, the beautiful prostitute Lan. Driving her home at night, he yearns to give her the love he believes she deserves. Lan is a walking example of Vietnamese grit and determination coupled with the American concepts of capitalism and aggressive sexuality. To the director's credit, she doesn't turn out to be your basic hooker with a heart of gold.

Lan is fascinated by the rich businessmen she charges $50 for sex, and vows, with a kind of wounded arrogance, that she will escape from her world into theirs: "They have a different talk, a different walk. The sun rises for them, not for us." Yet despite her fantasies about king-size beds and air conditioning, she won't spend the night in her clients' luxurious hotel rooms. Hai, along with the audience, sees right away that beneath Lan's hauteur is a wounded, hungry girl; if the fable of the good-hearted working man and the lonely hooker is a familiar one, it's told here with exquisite sweetness.

She realizes pretty quickly that the rickshaw driver who waits for hours outside the hotel in which she's visiting johns is infatuated with her. One day she says her dream is to spend the whole night in an air-conditioned room. He asks her price ($50), wins that much in a race for cyclo drivers and treats her to her dream. But she only opens the door to his affections after he pays her not for sex, but simply to watch her sleep. She is grateful, but resists his further advances: She somehow feels she is not entitled to ordinary human emotion. His tenderness unleashes the deep emotions hidden in her hardened heart.

The culmination of this fragile, awkward relationship is a sweet stroll down an avenue covered with red flowers, the kind of carefully considered visual you find throughout the film. But this one possesses true emotional resonance rather than simply looking gorgeous.

"Three Seasons" is extravagantly beautiful, so full of love, so rich with genuine artistic sympathy, a flight into fantasy of a land of memory and imagination, it has attained a kind of poetic immortality.

Midnight My Love

Sombat (Petchtai Wongamiao) is a Bangkok cab driver, whose only two passions are the radio soap operas and Thai pop ballads that accompany him on his lonely night shifts. A loner, Bati has no cell phone, no TV, and no real friends. He does the late shift on the empty streets of Bangkok and prefers it that way – when he can drive and listen to a radio station that plays old fashioned ballads, radio soap operas and reads letters from the lovelorn and lost in the big city. His days pass one like every other one as he isolates himself from all.

One evening he sees a young woman being mistreated by a man, but minds his own business and drives away – but a few nights later he picks her up along with her co-workers in front of a large massage parlor. Three of them tease him for listening to the old radio station, but the fourth, Nual, sits quietly, which catches Sombat's attention. He begins to make a point of being there at the closing hour every night and soon Nual (played by the beautiful Woranut Wongsawan) begins to hire him to take her home every night and slowly tries to bring him out of his shell by treating him to McDonalds and shopping in the mall.

As lovely as she is, she is just as empty in her own way – losing a bit of her soul to every client that chooses her behind the glass fisgbowl. Sombat writes to the radio DJ “Our jobs are similar. Once I’ve delivered my passenger I don’t know where to go because the destination was not mine. It is the same with her.” Nual, in her job, takes men to their destinations, but never to where she needs to be. She's stuck there, working to send money home to her family in the rural province.

But just as you begin to lie back in comfort waiting for the inevitable romance to take place, the film suddenly takes a startling dark turn that throws many of these expectations into a drainage ditch.

Nual is being pushed by her pimp to become the mistress for a gangster, but Sombat remains a loyal friend and continues to ferry her home each night. The story starts to take a strange turn when Sombat is held by the police for questioning, and he misses his appointment pick-up time with Nual. Sombat has a dark past that he's never let on about, and he grows distant from Nual, which pushes her closer to the gangster...

Wedding Water-Torture

Spare Me The Fake-Cake Wedding
by Tan Dawn Wei

Weddings used to be fun affairs. You get to dress up, gossip with the girls and check out the boys. And you also get to unleash elaborately conceived sabotage plans on the happy couple - hopefully without wrecking the hotel bridal suite and getting billed for the damage.

But after giving away more hongbao than I want to remember, weddings have become a bigger drag than any bride's trailing, carpet-dusting train. The problem isn't that I've been to too many weddings. I've just been going to too many of the same weddings.

Anyone who's been to at least five Chinese wedding dinners has earned herself enough stripes to be an authority on What Goes On At A Chinese Wedding Dinner. Hotel wedding coordinators have honed it into a science. Even friends who have helped execute many of these dos readily pass around their trusty notes with a blow-by-blow description of what to do when, where and how.

That's the problem: Weddings have become become nothing more than just a big, elaborate show that not many of us actually enjoy watching. Spare us the cheesy dry-ice effect, half-hearted yam sengs, styrofoam-cake 'cutting' (please, everyone knows it's just knife to the slit) and DIY slide shows done to pop ditties from boybands that no longer exist.

We don't need a picture of ourselves at our table with the toothy couple either. Save your stamps and don't send it over. And what's the point of popping a champagne bottle and making a big display out of pouring it down a glass pyramid when none of us will actually get to drink it? And where's the cake you just cut? How come we don't get to eat that too?
Another pointless exercise at Chinese wedding dinners: multiple gown changes. Hate to break this to you, oh beautiful brides. But honestly, no one's keeping score and no one cares. Besides, being absent from your own wedding for half the night to change into your assorted costumes - that's not the trait of a good host.

Couples should get it into their heads that a cookie-cutter wedding that proceeds like clockwork and follows the rule book down to the letter doesn't a memorable event make. Nobody remembers the run-of-the-mill hotel banquets and standard menus of cold dish/shark's fin soup/roast chicken/steamed fish/braised mushrooms/fried rice/red bean soup. But everybody remembers that one unusual wedding that dared to be different.

The wedding banquet conventions of today may have come from a long tradition that dates back 50 years or more, but that doesn't mean you can't throw tradition out the window. Customs like the tea ceremony have great significance and should be preserved and practised, but meaningless routines like fake-cake cutting and champagne-pouring do nothing to make a wedding momentous or heartfelt.

While we're being egged on by the people who govern this country to be more creative and entrepreneurial, we should apply a little imagination to our nuptial dinners.

I know I'll want mine to be festive, personal, surprising and, most importantly, fun. Oh, and champagne and real cake for everyone.

Tuesday, November 14, 2006

Worst Bear Markets




Worst Stock Market Crash: 1930-1932
This is the grand daddy of them all. Investors lost 86% of their money over this 813 day beast. This market crash combined with the 1929 crash, makes up the Great Depression.

If you had $1000 on 9/3/1929 (beginning of the 4th worst crash, it would have gone down to a whopping $108.14 by July 8th, 1932 (end of the worst crash) or an 89.2% loss. To recover from a loss like that, you would have to watch your portfolio go up 825%! The full recovery didn't take place until 1954, 22 years later!

Date Started: 4/17/1930
Date Ended: 7/8/1932
Total Days: 813
Starting DJIA: 294.07
Ending DJIA: 41.22
Total Loss: -86.0%

7th Worst Stock Market Crash: 1973-1974
Key events: Vietnam war, Watergate scandal

Date Started: 1/11/1973
Date Ended: 12/06/1974
Total Days: 694
Starting DJIA: 1051.70
Ending DJIA: 577.60
Total Loss: -45.1%

10th Worst Stock Market Crash: 2000-2002
Key events: Tech bubble bursting, September 11th terrorist attack

Date Started: 1/15/2000
Date Ended: 10/9/2002
Total Days: 999
Starting DJIA: 11,792.98
Ending DJIA: 7,286.27
Total Loss: -37.8%

This chart shows the cycle of emotions people go through when investing in the markets. Investing can be a highly emotional experience. This outline of market emotions can help you take a rational approach to maximizing market fluctuations. In the end, by anticipating and understanding the series of emotions that you may experience, you’ll be better equipped to tolerate and benefit from market fluctuations.